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VI.1.25 Pompeii. Casa del Salve or House of Ione.

Rear entrance of VI.1.7. First excavated 1770.

Linked to VI.1.6, VI.1.8, VI.1.24 and VI.1.26.

 

VI.1.25 Pompeii. September 2005. Entrance doorway.

VI.1.25 Pompeii. September 2005. Entrance doorway.

 

VI.1.25 Pompeii. Looking south across the cork model at Naples Museum.

VI.1.25 Pompeii. Looking south across the cork model at Naples Museum.

 

VI.1.25/7 Pompeii. 1875 lithograph titled Casa delle Vestali. Photo courtesy of Rick Bauer.
The lower mosaic is probably from the rear entrance at the House of Salve, part of the House of the Vestals.
The upper mosaic, although the card is entitled “Casa delle Vestali” may have come -
“as from room 3 of VI.17.9/10” (which is on the opposite side of the roadway from VI.1.7.)

VI.1.25/7 Pompeii. 1875 lithograph titled Casa delle Vestali. Photo courtesy of Rick Bauer.

The lower mosaic is probably from the rear entrance at the House of Salve, part of the House of the Vestals.

The upper mosaic, although the card is entitled “Casa delle Vestali” may have come -

as from room 3 of VI.17.9/10” (which is on the opposite side of the roadway from VI.1.7.)

 

VI.1.25 Pompeii. 1826. Sketches of details of mosaics from the entrance and atrium of the House of Salve.
See Poirot, P. A., 1826. Carnets de dessins de Pierre-Achille Poirot. Tome 2 : Pompeia, pl. 73.
See Book on INHA  Document placé sous « Licence Ouverte / Open Licence » Etalab

VI.1.25 Pompeii. 1826. Sketches of details of mosaics from the entrance and atrium of the House of Salve.

See Poirot, P. A., 1826. Carnets de dessins de Pierre-Achille Poirot. Tome 2 : Pompeia, pl. 73.

See Book on INHA  Document placé sous « Licence OuverteOpen Licence » Etalab 

 

VI.1.25 Pompeii. The central sketch is a watercolour drawing of a part of a mosaic in the atrium of the House of Salve.
The upper sketch appears to be a garland from the Pantheon (VII.9.7) which it said had a black background. 
The lower sketch says it is a mosaic in the 2nd house Pompei, which is from VI.2.22, either the tablinum or a triclinium. 
See Lesueur, Jean-Baptiste Ciceron. Voyage en Italie de Jean-Baptiste Ciceron Lesueur (1794-1883), pl. 46.
See Book on INHA reference INHA NUM PC 15469 (04)  « Licence Ouverte / Open Licence » Etalab

VI.1.25 Pompeii. The central sketch is a watercolour drawing of a part of a mosaic in the atrium of the House of Salve.

The upper sketch appears to be a garland from the Pantheon (VII.9.7) which it said had a black background.

The lower sketch says it is a mosaic in the 2nd house Pompei, which is from VI.2.22, either the tablinum or a triclinium.

See Lesueur, Jean-Baptiste Ciceron. Voyage en Italie de Jean-Baptiste Ciceron Lesueur (1794-1883), pl. 46.

See Book on INHA reference INHA NUM PC 15469 (04)  « Licence OuverteOpen Licence » Etalab

 

VI.1.7/25, Pompeii. pre-1808. Floor mosaic, numbered 41 in Gli Ornati. 
According to Gli Ornati 1838: –
No.41. Bello era il pavimento riportato sotto questo numero. 
Nel mezzo sembra espresso un seno di mare con pesci guizzanti e mostri marini, chiuso dalle mura di una Città turrita ai quattro angoli, e con quattro porte dischiuse in mezzo de' quattro lati.
Alla parte esterna di uno di questi leggesi in caratteri cubitali il cordiale motto SALVE, motto che ha dato nome all’abitazione del Salve tanto rinomata in Pompei, per essersi in quella il pavimento rinvenuto. Incisione del Cesarano.
See Gli ornati delle pareti ed i pavimenti delle stanze dell'antica Pompei incisi in rame: 1838, mosaici pl.41, 
And in Gli ornati delle pareti ed i pavimenti delle stanze dell'antica Pompei incisi in rame: pt.2, 1808.
(Translation: “41. The floor, reported under this number, was beautiful.  
A sea scene seemed to be expressed in the middle, with darting fish and sea monsters, closed by the walls of a turreted city at the four corners, and with four doors opening in the middle of the four sides.
On the outside of one of these, the cordial motto SALVE could be read in capital letters, the motto that gave its name to the House of Salve, so renowned in Pompeii, in which the floor was found. Engraving by Cesarano.”)

VI.1.7/25, Pompeii. pre-1808. Floor mosaic, numbered 41 in Gli Ornati.

According to Gli Ornati 1838: –

No.41. Bello era il pavimento riportato sotto questo numero.

Nel mezzo sembra espresso un seno di mare con pesci guizzanti e mostri marini, chiuso dalle mura di una Città turrita ai quattro angoli, e con quattro porte dischiuse in mezzo de' quattro lati.

Alla parte esterna di uno di questi leggesi in caratteri cubitali il cordiale motto SALVE, motto che ha dato nome all’abitazione del Salve tanto rinomata in Pompei, per essersi in quella il pavimento rinvenuto. Incisione del Cesarano.

See Gli ornati delle pareti ed i pavimenti delle stanze dell'antica Pompei incisi in rame: 1838, mosaici pl.41,

And in Gli ornati delle pareti ed i pavimenti delle stanze dell'antica Pompei incisi in rame: pt.2, 1808.

(Translation: “41. The floor, reported under this number, was beautiful. 

A sea scene seemed to be expressed in the middle, with darting fish and sea monsters, closed by the walls of a turreted city at the four corners, and with four doors opening in the middle of the four sides.

On the outside of one of these, the cordial motto SALVE could be read in capital letters, the motto that gave its name to the House of Salve, so renowned in Pompeii, in which the floor was found. Engraving by Cesarano.”)

 

VI.1.25 Pompeii. Between 1819 and 1832 sketch by Gell.
The lower sketch would appear to show a floor in the House of Salve, or with Salve on the floor.
The upper sketch is from VIII.3.8, the floor mosaic in the atrium.
See Gell, W. Pompeii unpublished [Dessins de l'édition de 1832 donnant le résultat des fouilles post 1819 (?)] vol II, pl. 43.
Bibliothèque de l'Institut National d'Histoire de l'Art, collections Jacques Doucet, Identifiant numérique Num MS180 (2).
See book in INHA Use Etalab Licence Ouverte

VI.1.25 Pompeii. Between 1819 and 1832 sketch by Gell.

The lower sketch would appear to show a floor in the House of Salve, or with Salve on the floor.

The upper sketch is from VIII.3.8, the floor mosaic in the atrium.

See Gell, W. Pompeii unpublished [Dessins de l'édition de 1832 donnant le résultat des fouilles post 1819 (?)] vol II, pl. 43.

Bibliothèque de l'Institut National d'Histoire de l'Art, collections Jacques Doucet, Identifiant numérique Num MS180 (2).

See book in INHA Use Etalab Licence Ouverte

 

VI.1.25/7 Pompeii.  Sketch of mosaic floor decoration. A mosaic showing a dolphin was also seen in the threshold of room 10.
See Debret F. (1777-1850), Piranesi F. (1758-1810), LaBrouste H. (1801-1875). Voyage en Italie-De Naples à Paestum, pl. 111.
INHA Identifiant numérique : NUM PC 77832 (07). See book on INHA Les documents sont placés sous « Licence Ouverte / Open Licence » Etalab

VI.1.25/7 Pompeii.  Sketch of mosaic floor decoration. A mosaic showing a dolphin was also seen in the threshold of room 10.

See Debret F. (1777-1850), Piranesi F. (1758-1810), LaBrouste H. (1801-1875). Voyage en Italie-De Naples à Paestum, pl. 111.

INHA Identifiant numérique : NUM PC 77832 (07). See book on INHA Les documents sont placés sous « Licence OuverteOpen Licence » Etalab

 

Outside wall between VI.1.25 and VI.1.26 in Vicolo di Narciso, Pompeii. September 2005.

Outside wall between VI.1.25 and VI.1.26 in Vicolo di Narciso, Pompeii. September 2005.

 

 

 

 

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Ultimo aggiornamento - Last updated: 19-Jun-2021 16:51